This multi-authored monograph consists of the sections: “Pop Rock, Ethno-Chaos, Battle Drums, and a Requiem: The Sounds of the Ukrainian Revolution”, “The Euromaidan’s Aftermath and the Genre of Answer Song: A Musical Dialogue Between the Antagonists?”, “Exposing the Fault Lines beneath the Kremlin’s Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem”, “‘Lasha Tumbai’, or ‘Russia, Goodbye’? The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground”, and “(Post-)Soviet Rock Soundtracks the Donbas Conflict”.

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