Examines the connections between musical modernism and German cinema from the Autorenfilm movement (1913-14) through the dawn of the recorded sound film (1932-33)Analyses a corpus of original compositions, films, and aesthetic writings
Documents how modernist composers from the Austro-German area approached film music composition and engaged with cinema as an aesthetic phenomenon
Reconstructs the connections between modernist composers and the film music universe through historically verifiable collaborations

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