This study examines philosophical questions regarding the limitations of formalism and how they might be overcome. It presents a critical reconstruction of the early work of Georg Lukács, which attempted to supplement a unique form of aesthetic cultural critique with a Dostoyevskian-styled ethical utopia. Demonstrating the unity and the aporias of this two-track approach, it sheds new light on Lukács’s Marxist turn at the end of 1918.

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