Audiovisuelle Rhythmen

Filmmusik, Bewegungskomposition und die dynamische Affizierung des Zuschauers

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The book explores the relationship of movement and music in film to study the aesthetic principles of audience affect. It begins by a reconstructive analysis and theoretical reflection on the rhythmicity of films – and goes on to show the extent to which the rhythmic dimension of audiovisual images offers access to intersubjective strategies to induce affect in the movie theater.