DRAW SPACES

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In Cecchetti’s verses there is a sort of fusion, sometimes ironic, of lyricism and intellectualism, an incessant succession of cultural interpolations, mythological and Christian afterthoughts on which the weft and warp, the whole itinerary and the passages of his lyrical discourse, his poetic proposal in which echoes and references of every era and latitude are spread: the action and the dream, the life of the present and the history, the mythology in a fascinating dialectic of techniques and meanings.