The publication focuses firstly on Eduardo Arroyo’s artistic approach and the impact his conceptually critical art had during and after Francisco Franco’s regime. Seriality and interdisciplinarity hereby play a central role in Arroyo’s oeuvre. Secondly, special attention is given to Eduardo Arroyo’s relationship with Switzerland. Select friends of the artist were asked to contribute: Peter Stämpfli, a close confidant of the artist, tells of their relationship. An essay by David Lemaire looks at the effects of the artist’s way of working. Fabienne Di Rocco looks at subject matter inspired by the artist’s visits to Switzerland.

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