It is impossible to capture the amount of images Feldmann has collected from magazines, books and with his own roving camera. The book is the format that brings structure and order to Feldmann’s shuffled deck of images such as knees of women, shoes, chairs, unmade beds, bicycles and portraits. Feldmann recognises the problematic nature of pictures and art in a culture constantly bombarded by images. Feldmann does not discard either mass produced or amateur photographs; on the contrary, he embraces them in his work as if they were his own and offers them equal value. By embracing, accepting and placing images of common objects, monuments, situations and appearances in series, Feldmann at once neutralises and relates them, creating a tension between their similarities and differences.

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