In this book, which can be read both from
the front and from the back, Katharina
Grosse documents two exhibitions which
follow each other immediately. The
cyclical conception of the book allows
insight in her way of working: the mesh
of most diverse work methods and the
cyclical entanglement of her painting,
combining contradicting opposites and
making the works experienceable.
Jean-Charles Vergne contributes a text on
violence and aggression in Grosse’s work.

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