Shakespeare on Film

Contemporary Critical Essays

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This collection of contemporary criticism highlights the extent to which recent discussion of Shakespeare on film has drawn upon the theoretical perspectives of Marxism, feminism, psychoanalysis and post-structuralism, generating a radical reappraisal of a Shakespearean cinema which has itself experienced a revival in the last decade. Ranging widely across the canon of Shakespeare films, from Max Reinhardt’s to Peter Greenaway’s, the essays address the cultural politics of film adaptation from a variety of angles, offering readings of individual films – – but also raising larger questions about the nature, purpose and future direction of Shakespearean cinema.