The objective of this study is to demonstrate the coherence of Kant’s Critiques from a transcendental-critical perspective. To achieve this, the author paraphrases the Critiques , and interprets them from a common epistemic horizon; furthermore he takes up relevant positions from the research literature. The accents set by this view lead to some shifts in the image of Kant taught today which particularly affect the Categorical Imperative and what is called the “Aesthetics”.

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