Hong Kong Cinema Since 1997 V. Lee

Hollywood Remakes, Deleuze and the Grandfather Paradox D. Varndell

Mediations of Disruption in Post-Conflict Cinema Adriana Martins, Alexandra Lopes, Mónica Dias

Media Witnessing A. Pinchevski, P. Frosh

Ireland and Cinema Barry Monahan

Cinema and the Imagination in Katherine Mansfield’s Writing M. Ascari

The Post-2000 Film Western J. Leo, M. Paryz

Phenomenology and the Future of Film J. Chamarette

Stieg Larsson’s Millennium Trilogy S. Peacock

Cult Film Stardom K. Egan, S. Thomas

The Process of Internationalization F. McDonald, M. Geppert, M. Mayer, Trevor Buck

Financial Statistics No 551, March 2008 NA NA

Digital Media Worlds E. Sanz, Giuditta De Prato, Jean Paul Simon

Cyborg Cinema and Contemporary Subjectivity S. Short

Death, Image, Memory Piotr Cieplak

Existentialism and Social Engagement in the Films of Michael Mann Vincent M. Gaine

Rethinking the Femme Fatale in Film Noir J. Grossman

Those Who Made It John C. Tibbetts

The American Success Myth on Film J. Levinson

Men and Masculinities in Irish Cinema D. Ging

New Takes in Film-Philosophy G. Tuck, H. Carel

Consuming Gothic Lorna Piatti-Farnell

Today’s Sounds for Yesterday’s Films Ann-Kristin Wallengren, K.J. Donnelly

Transforming Media Coverage of Violent Conflicts T. Liebes, Z. Kampf